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Archive for May 2018

Zeiss introduces Supreme Primes - 13 new High-speed, Full-frame Cinema Lenses

By DCS, May 25, 2018

In advance of Cine Gear Expo Zeiss has introduced a new family of high-speed lenses for Large Format Cinema production.  Known as the ZEISS Supreme Primes, the family consists of 13 lenses with fixed focal lengths between 15 and 200 millimeters. The majority of these lenses provide an extremely fast aperture of ... [ Read: Zeiss introduces Supreme Primes - 13 new High-speed, Full-frame Cinema Lenses ]

DCS Privacy Policy

By DCS, May 23, 2018

Digital Cinema Society Privacy Policy privacy policy, as of 05/23/2018 The Digital Cinema Society (DCS) is committed to protecting the privacy of its members. DCS recognizes the interest of its members in the confidentiality of their personal information. DCS only maintains personal information that is relevant ... [ Read: DCS Privacy Policy ]

Is Enough Too Much? The Ever-increasing Resolutions For Digital Cinema Production and Post

By DCS, May 21, 2018

by James Mathers Cinematographer and Founder of the Digital Cinema Society (Excerpted from the May 2018 Digital Cinema Society eNewsletter) As the droll comedian Steven Wright says, “You can’t have it all…where would you put it?”  Yet, we Cinematographers generally do want it all, higher resolutions, ... [ Read: Is Enough Too Much? The Ever-increasing Resolutions For Digital Cinema Production and Post ]

First Look at the RED Hydrogen One Mobile Device or "Holographic Media Machine"

By DCS, May 21, 2018

Jim Jannard returned to the spotlight on Saturday evening, May 19th, for an invitation-only event at RED Studios Hollywood. The purpose was to preview his latest innovation, the RED Hydrogen One Mobile Device. About the size of an Apple, Samsung, or Google handset, it is tempting to call it a mobile phone, but that ... [ Read: First Look at the RED Hydrogen One Mobile Device or "Holographic Media Machine" ]

An Evening with the Sony Venice - DCS Event on May 23rd @BeyondPix San Francisco

By DCS, May 7, 2018

DCS is coming to San Francisco to showcase Sony’s latest digital cinema camera, the large-format VENICE. The VENICE is a Full-Frame 6K camera with over 15 stops of dynamic range, eight Built-in Optical ND filters and a five-second boot time. The VENICE supports a wide range of formats from Full-Frame to Super 35 ... [ Read: An Evening with the Sony Venice - DCS Event on May 23rd @BeyondPix San Francisco ]